Film- Jaws

Jaws is quite possibly my favorite movie. The plot is so simple and has been imitated hundreds of times, but no imitation has ever come close to the original. In terms of film history, it is probably the second blockbuster after the Godfather three years earlier and the breakthrough first success for director Steven Speilberg. Speilberg is probably still the best known director in the world 50 years after he started. Speilberg comes from the generation of filmmakers that trained via film school. Earlier generations of filmmakers worked their way up to director and producer often through the apprentice model. An eager filmmaker would begin as an assistant, and learn the trade. Of course, the older generation of filmmakers that had “put in their time” did not immediately embrace the new, university-trained filmmakers.

One thing that the older and younger generation of filmmakers and viewers could all agree on was that Jaws is a great film. 

The structure of Jaws is basically two parts. The first takes place on the island with a series of shark attacks. The second part takes place on the boat with the three protagonists trying to find and kill the shark. The part that audiences seem to remember best and the majority of the marketing hype comes from the first part, yet it is the second part that has more character interactions and subjective, or character-driven drama.

While Amity is not a real island, the film was made at Martha’s Vineyard off the coast of Cape Cod. My grandparents lived on the southern coast of Cape Cod for about 20 years and growing up, I would spend a lot of time there in the summer. I do not know for certain, but I can imagine that the filmmakers did not have to change or exaggerate much to get the Cape Cod feel of a small, tourism dependent town and the chaos of tourists coming off ferries. When I was about 15, I got to travel to Martha’s Vineyard and see the original movie locations, which was quite an exciting trip for me.

One of the aspects of the film that still makes it hold up today is the fact that the shark is not seen for most of the film. What today is acknowledged as brilliant withholding of the shark in the spirit of sustaining suspense, was actually done due to technical difficulties. A large mechanical shark was built for the production, which the crew dubbed “Bruce”. The shark would work brilliantly out of water, but when it would be placed in the water, it broke down so many times that Speilberg was starting to worry if the film could be made at all. That’s when the idea came to barely show the shark. But this detail was not enough to make the film the classic that it became.

The music of John Williams is as much to credit in the building of suspense as what we see on the screen. The basis of the Jaws theme is so simple, just two alternating notes a half step apart with a third lower note to provide accents. Williams has said that his inspiration for the simplicity of the theme was the primitive hunting instincts of the shark. While the rhythm of the theme is inspired by heartbeats with a pulse that gets faster and faster.

For the first few attacks, the viewer never sees any part of the shark. The only way the viewer knows that the shark is present is the music and the reactions of characters. It is about an hour into the film before the viewer even sees the shark fin. Arguably, the part of the film that breaks the illusion of realism is at the very end, when the shark climbs onto the back of the boat and its movements are more mechanical than they are organic. Even so, the textured look of the mechanical shark still holds up much better than computer generated sharks of even high-quality imitations like Deep Blue Sea. 

Although the characters of police chief Brody, marine biologist Hooper, and fisherman Quint are introduced before they board the boat together, it is when it is only the three on the boat that we get to know the characters best. The contrast between them is what makes it so believable when they have to work together. The educated Hooper acts on logic and scientific reasoning. He sees the shark as something to be studied. The working class Quint acts on instinct and personal experience. He sees the shark as a bounty or a job. Brody, who is afraid of water, and insists they get a bigger boat, is the balance between the two extremes. The function between them works as if they are different aspects of the same character. 

In the years and decades that followed, the legacy of Jaws has been spoiled by three poor sequels and almost infinite imitators that feature not only sharks, but orcas, squid, piranhas, alligators, and sharknados… It is difficult for modern viewers to watch the original Jaws without the backstory of all the ripoffs lingering.

If you can let go of the poor shark movies that you have seen, Jaws is a thrilling and moving experience. I still am not crazy about swimming in the ocean. That effect is fine filmmaking at its best.